"That man up there against the wall," said the officer, "I know him. His name is Ricardo Reyes." #101 | | |
"Hello, Esteban!" called Ricardo. #102 | | |
The officer called back at him. "Hello, Ricardo." #103 | | |
They waved at each other. #104 | | |
"He's not doing anything _I_ can see," said the officer. #105 | | |
"What do you mean?" asked the cameraman. "He's as naked as a rock. It's immoral!" #106 | | |
"That man is doing nothing immoral. He's just standing there," said the policeman. "Now it he were _doing_ something, something terrible to view, I would act upon the instant. However, since he is simply leaning there, not moving a limb or muscle, I see nothing wrong." #107 | | |
"He's naked, _naked_!" screamed the cameraman. #108 | | |
"I don't understand." The officer blinked. #109 | | |
"You just don't go around naked, that's all!" #110 | | |
"There are naked people and naked people," said the officer. "Good and bad. Sober and with drink in them. I judge this one to be a man with no drink in him, a good man by reputation; naked, yes, but doing nothing with this nakedness in any way to offend the community." #111 | | |
"What _are_ you, his _brother_? What are you, his confederate?" said the cameraman. It seemed that at any moment he might snap and bite and bark and woof and race around in circles under the blazing sun. "Where's the justice? What's going _on_ here? Come on, girls, we'll go somewhere else!" #112 | | |
"France," said Ricardo. #113 | | |
"What!" The photographer whirled. #114 | | |
"I said France, or Spain," suggested Ricardo. "Or Sweden. I have seen some nice pictures of walls in Sweden. But not many cracks in them. Forgive my suggestion." #115 | | |
"We'll get pictures in spite of you!" The cameraman shook his camera, his fist. #116 | | |
"I will be there," said Ricardo. "Tomorrow, the next day, at the bullfights, at the market, anywhere, everywhere you go I go, quietly, with grace. With dignity, to perform my necessary task." #117 | | |
Looking at him, they knew it was true. #118 | | |
"Who are you—who in hell do you think you are?” cried the photographer. #119 | | |
"I have been waiting for you to ask me," said Ricardo. "Consider me. Go home and think of me. As long as there is one man like me in a town of ten thousand, the world will go on. Without me, all would be chaos." #120 | | |
"Good night, nurse!" said the photographer, and the entire swarm of ladies, hatboxes, cameras, and makeup kits retreated down the street toward the docks. "Time out for lunch, dears. We'll figure something later." #121 | | |
Ricardo watched them go, quietly. He had not moved from his position. The crowd still looked upon him and smiled. #122 | | |
Now, Ricardo thought, I will walk up the street to my house, which has paint peeling from the door where I have brushed it a thousand times in passing, and I shall walk over the stones I have worn down in forty-six years of walking, and I shall run my hand over the crack in the wall of my own house, which is the crack made by the earthquake in 1930. I remember well the night, us all in bed, Tomas as yet unborn, and Maria and I much in love, and thinking it was our love which moved the house, warm and great in the night; but it was the earth trembling, and in the morning that crack in the wall. And I shall climb the steps to the lacework-grille balcony of my father's house, which grillwork he made with his own hands, and I shall eat the food my wife serves me on the balcony, with the books near at hand. And my son Tomas, whom I created out of whole cloth, yes, bedsheets, let us admit it, with my good wife. And we shall sit eating and talking, not photographs, not false cardboard, not paintings, not stage furniture, any of us. But actors, all of us, very fine actors indeed. #123 | | |
As if to second this last thought, a sound startled his ear. He was in the midst of solemnly, with great dignity and grace, lifting his pants to belt them around his waist, when he heard this lovely sound. It was like the winging of soft doves in the air. It was applause. #124 | | |
The small crowd, looking up at him, enacting the final scene of the play before the intermission for lunch, saw with what beauty and gentlemanly decorum he was elevating his trousers. The applause broke like a brief wave upon the shore of the nearby sea. #125 | | |
Ricardo gestured and smiled to them all. #126 | | |
On his way home up the hill he shook hands with the dog that had watered the wall. #127 | | |
